Edinburgh Yarn Festival 2016

I had the briefest, fleetingest, shortest imagineable encounter with the Edinburgh Yarn Festival 2016 on Friday, and I was utterly charmed. 

I wandered around the yarn market for an hour or so, with a stop for tea and most delicious cake part way through. It wasn't really long enough to do the place justice, or really have a good rummage and browse for the things I wanted.

I spied a few well-known faces from knitterati: Tom, but no Kate, from Kate Davies Designs, Ysolda, Stephen West - who was impossible to miss in his extraordinary outfit. I was trying to describe it to the jelly bean (age 6). She didn't believe me!

I stayed mostly on-message - with some rich blue DK yarn from Wollmeise to make myself a hat. That was definitely part of the plan. 

I also picked up some gorgeous DK weight yarn from Skein Queen - also part of my me-made plans. Stupidly I convinced myself that 2 skeins would be enough! It might be close, but I doubt I'll manage either of the two patterns I have at the top of my queue.  And, as you can see in this photo, the two skeins I picked seem to be subtly different in tone/colour. That is probably the fault of the 'show' lighting in the Corn Exchange - I did have 4 skeins to choose from! But it's not insurmountable. 

The extra thing I brought home was this little haul from Ysolda - two patterns and some of her kitten-soft silvery grey undyed yarn. 

The other pattern is her blank slate sweater. I had to pet the yarn a little bit yesterday, and hand wound it whilst drinking tea and chatting to the little bean. It's seriously nice. Silky and soft, and a lovely pale grey. I'll be casting on for that hat as soon as I can find the right needle, and, I can see a blue version coming along just behind it. 

Mending Monday 2016: #3 it's a holey-holeyday

Way back in the mists of time, before the internet and Taylor Swift were invented, I knitted myself a cardigan. It's from Rowan magazine 21, shown on the front cover. 

I have always rebelled it seems, and I knitted it in a nice wool based yarn (Jaeger wool DK I think), not the cotton yarn the pattern was written for. Anywayz. I have worn it a lot - for a long time it was the sort of thing I wore to work. Then the elbows started to develop holes and I patched them up and it became a cosy old friend to wear around the house. Gradually more and more bits of it are wearing thin or coming apart, but I'm not quite ready to say goodbye to it yet. 

Before Christmas I started knitting something for the bean, and realised that the yarn was pretty much the same colour as this cardigan of mine. Last week, I sat down to do some mending and spent a little bit of time patching up the holes and frayed cuffs.

Five or ten minutes, sitting in the light and stitching away. I was talking to my daughter at the same time - you can see her feet in the bottom picture - she is wearing handknitted socks that I made for her older brother a year or two back. That's the sort of housework I like!

Cowlowlowl (FO)

Howsyoudoing today, people?

The sun is shining here, putting a spring into my step (ha, ha). It's still cold and windy though, so I'm hoping I'll get a bit of use from my newest neck adornment, this plain and simple cowl.

I knitted it on a circular needle, using 100g of sock yarn - Regia Highland Tweed. I used a provisional cast on, then knitted until almost the end of the yarn before grafting the two ends together.  

You can see that it has some subtle colour gradations from purple through to pink. I have a lot of blue in my wardrobe, and some pink too, so it should go well with lots of things. It was one of the projects I identified in my New Year list of things to do, so I consider that to be my first me-made wardrobe filler!

It has been for a quick wash to help even up the tension of the grafting, and now it's ready to wear.

plain and simple cowl (no pattern)

cast on Jan 2016

completed Feb 2016

yarn: Regia Highland Tweed

Mending Monday 2016: #2 Visible Mending

It was Kids Clothes Week last week. I did my best to fit in some kids clothing related crafting each day. 

On Monday night I spent a lazy hour or may be less, darning the knee in a pair of toddler trousers. The trousers are old - handed down to us, and no doubt used by several children before they came to live with us. There are worn and cosy, in a useful muddy green needlecord, with a snuggly jersey lining. 

The first knee went into a hole a while back, and I used some embroidery thread to patch it up. Rather than attach a patch on top of the hole, I just stitched the two layers into a place in a messy jumble of stitches. The lining fabric didn't have a hole - just the outer layer. 

The second knee had the misfortune of developing a hole whilst at nursery, so there was plenty of time for small fingers to enlarge the opening - but, as before, the hole was only in the worn corduroy, and not the inner lining. By the time I got them off the toddler in question, the rip was quite large. I approached this hole in the same way - using embroidery thread to anchor the two layers together. 

Neither repairs are neat or tidy. But, they seem to be working. The first repair is holding up well, and we are ekeing out a little bit more wear from these well worn and well-loved trousers. I think they will do until the little bean grows out of them. 

Bag Lady (FO) Take #2

Yay! A finished project for February. I managed to polish off that fat quarter shopping bag I cut out before Christmas. You know, the one I cut out wrong...

Having made this pattern three times already meant I had a vague idea of what I was doing. It was still a bit fiddly sewing and pressing and turning and top-stitching - but the result was rather pleasing. IBecause I ended up with an extra (centre) seam owing to my cutting mishap, the facings were slightly out of whack. I just added a little pleat/fold to the facing when I pinned it in place. I am mistress of the lazy way. It worked pretty well, so, a worthwhile fudge, and I like the fact that each side of the bag shows two fabrics. 

Here are some awful phone pics. It was dark and late when I remembered to take a photo (note to self: neither of those things makes for good photos). It's gone off to live with my brother, along with the other green one I made earlier. 

In the interests of transparency: quilt festival haul

Despite my feelings about spending lots of ££ on fabric, I did come home from the Quilt Festival with a few fat quarters in my bag. 

Most are destined for some Christmas projects, and were all reasonably priced at £1 per FQ. Dontcha just love those penguins?

Then there were a few fillers/neutrals (also £1 per FQ)

And finally, I splashed out on some half-metre cuts from Kaleidoscope Fabrics for a special project I am planning. These cost a bit more...

They go perfectly (as I hoped) with these jelly roll strips. The project will be for our bedroom. One day. 

Things I realised this week: about quilting

On Friday last week, my mother-in-law suggested that I spend the afternoon at the Spring Quilt Festival being held on the outskirts of Edinburgh. She went in the morning with the ladies from her sewing group, and came over afterwards to look after little bean while I skipped off for the afternoon. 

I had never been to a quilt show before. I've read a lot about QuiltCon and those mind-blowing American quilt shows with millions of breathtaking quilts and booths and yeah, and I've seen all the lovely pictures of the Quilt Show at Malvern and places. But, it was nothing like any of that, and it was not at all what I expected. 

There were lots of forbidding signs saying that you Must Not Take Photographs, and Dont Touch the Quilts. And then the exhibition itself was slightly underwhelming. There were some small pieces displayed downstairs, and some full-size quilts upstairs. Some of it was very lovely and impressive, but there just wasn't very much of it. 

Above all, the festival seemed to be about the stalls. Crammed with fat quarters and quilters gadgets and bolts of fabric in every colour under the sun. Fat quarters were this price on one table and that price on another, and there were Frozen fabrics and Star Wars fabrics and Japanese fabrics and batik and flannel and prints and solids and cottons and tweeds. There was some very lovely stuff. I'd show you some photographs, but all those forbidding signs put me off. 

I was rather overwhelmed. I looked at the quilts. There were lots I didn't really care for. There were some I admired (wow, you  collected 205 colours of silk, and appliqued them with invisible thread; you quilted that amazing design with a regular sewing machine: respect) but none that really made me want to study the colours and techniques and patterns and then rip it off the wall to take it home. 

As I wandered round and round looking at this and that, I had a few thoughts. 

1. It seems vaguely completely ridiculous to me to spend many many ££ on fabric to make a quilt, when I have oodles of fabric scraps and old clothes which could be repurposed into equally beautiful quilt tops. And, it seems completely ridiculous to spend many ££ on fabric to make quilts when there is so much textile waste in our society. 

2. I love the bright and modern and clean looks of modern quilts. I like quilts with space. I don't like the traditional flowery and busy designs involving lots of piecing. I also like improv quilting and quilts which are given meaning because of the fabrics included in them: uniforms from soldiers lost in conflict; clothes from people we love - the things children wore when they were small; a life time of scraps from a grandparents house. 

3. I have one quilt top in progress (and not finished yet), so what do I know?

Of course, I didn't let the opportunity pass me by, and came home with a few fat quarters in my bag. I managed to resist the sparkly Frozen fabrics, and the cool Star Wars prints, but bought a few Christmas sorts of things to make something festive. There's nothing like long-range project planning is there?